I have spent the last couple of days on a pilgrimage of sorts, visiting various Baroque churches and monuments. I am sure I must have visited some of them during the past 37 years that I have been coming to Rome, but, for various reasons, my interest in them has been piqued, and I had to get back to them.
Most churches open in the morning, close for several hours in the afternoon, and re-open in the early evening. The wise pilgrim, then, takes great care in planning these visits. I followed other map-readers this morning along Via XX Settembre, a very busy street during rush hour, with cars hurtling by us.
Gian Lorenzo Bernini, arguably the greatest master of Baroque in Rome, is responsible for much that I saw. His Quattro Fontane, with a fountain carved into each of four corners, is here. All along Via XX Settembre are important churches, either decorated by Bernini or his competitor, Francesco Borromini, who was responsible for a tiny jewel-box of a church, S. Carlo alle Quattro Fontane. The interiors are so richly decorated, with a dizzying amount of multi-colored marble, and with elaborate paintings or sculptures gracing the apses and chapels. In Santa Maria della Vittoria, you can see a Bernini masterpiece,
The Ecstasy of St. Theresa. This is one of two sculptures (the other being
The Ecstasy of Beata Ludovica Albertoni in a church in Trastevere) that shows a woman writhing in, well, ecstasy. These were highly controversial in their day, and still draw an inordinate number of visitors, both the faithful and the curious.
In a nearby piazza are two additional sculptures, Bernini's Fontana del Tritone and Fontane delle Api. The Piazza Barberini is in a tony neighborhood, lined with high-end stores. Taking a break from this morning's mission, I treated myself to a couple of modern, Florentine bracelets. Beautiful! I'm so happy, I want to commission a Bernini sculpture.
The Ecstasy of Janet has a nice ring to it, no?